Exposing the Disturbing Reality Behind Alabama's Prison Facility Mistreatment

When filmmakers the directors and Charlotte Kaufman entered the Easterling facility in the year 2019, they witnessed a misleadingly cheerful atmosphere. Similar to other Alabama correctional institutions, Easterling mostly prohibits journalistic entry, but allowed the crew to film its yearly community-organized barbecue. During film, imprisoned individuals, predominantly African American, celebrated and laughed to live music and sermons. However behind the scenes, a different story surfaced—terrifying beatings, hidden stabbings, and indescribable violence swept under the rug. Pleas for assistance came from overheated, dirty dorms. When the director moved toward the sounds, a corrections officer stopped filming, stating it was dangerous to speak with the men without a security escort.

“It became apparent that there were areas of the prison that we were not allowed to view,” the filmmaker remembered. “They use the idea that everything is about security and safety, since they don’t want you from comprehending what they’re doing. These facilities are like black sites.”

The Stunning Documentary Exposing Decades of Neglect

This interrupted cookout meeting opens The Alabama Solution, a powerful new film made over half a decade. Co-directed by Jarecki and his partner, the feature-length film exposes a shockingly corrupt institution rife with unregulated mistreatment, forced labor, and unimaginable brutality. It documents prisoners’ herculean efforts, under constant physical threat, to improve conditions declared “illegal” by the federal authorities in 2020.

Secret Recordings Uncover Horrific Realities

After their suddenly terminated Easterling visit, the filmmakers made contact with men inside the state prison system. Guided by veteran organizers Melvin Ray and Kinetik Justice, a network of insiders provided multiple years of footage filmed on contraband mobile devices. The footage is disturbing:

  • Rat-infested living spaces
  • Heaps of excrement
  • Spoiled meals and blood-streaked surfaces
  • Routine officer beatings
  • Inmates carried out in body bags
  • Corridors of individuals unresponsive on substances sold by staff

One activist begins the film in five years of isolation as punishment for his organizing; subsequently in production, he is almost killed by officers and loses vision in one eye.

A Story of One Inmate: Brutality and Obfuscation

Such violence is, the film shows, standard within the ADOC. While imprisoned sources continued to gather evidence, the directors investigated the killing of an inmate, who was assaulted unrecognizably by officers inside the Donaldson prison in 2019. The documentary traces Davis’s mother, Sandy Ray, as she pursues truth from a uncooperative ADOC. She discovers the official explanation—that her son menaced officers with a knife—on the television. But multiple incarcerated observers informed Ray’s lawyer that the inmate wielded only a toy knife and yielded at once, only to be assaulted by four guards anyway.

A guard, Roderick Gadson, stomped the inmate's skull off the concrete floor “repeatedly.”

Following three years of evasion, Sandy Ray met with Alabama’s “law-and-order” attorney general a state official, who informed her that the authorities would decline to file charges. Gadson, who had more than 20 separate legal actions claiming excessive force, was promoted. Authorities paid for his defense costs, as well as those of every guard—a portion of the $51 million spent by the state of Alabama in the past five years to defend officers from wrongdoing claims.

Compulsory Work: A Modern-Day Slavery System

This government benefits economically from ongoing mass incarceration without oversight. The Alabama Solution details the alarming extent and double standard of the prison system's labor program, a forced-labor arrangement that effectively operates as a present-day version of chattel slavery. This program provides $450m in products and services to the government each year for almost minimal wages.

Under the system, incarcerated laborers, mostly Black residents deemed unsuitable for society, earn two dollars a day—the identical daily wage rate established by Alabama for imprisoned workers in the year 1927, at the peak of racial segregation. These individuals work more than half a day for corporate entities or public sites including the government building, the executive residence, the judicial branch, and local government entities.

“Authorities allow me to work in the public, but they don’t trust me to grant release to leave and return to my loved ones.”

These laborers are statistically less likely to be released than those who are do not participate, even those deemed a higher security risk. “That gives you an idea of how valuable this free labor is to Alabama, and how important it is for them to keep individuals imprisoned,” stated Jarecki.

State-wide Protest and Ongoing Fight

The Alabama Solution culminates in an incredible achievement of activism: a system-wide prisoners’ strike calling for better conditions in October 2022, organized by Council and Melvin Ray. Illegal cell phone footage reveals how ADOC broke the strike in less than two weeks by depriving prisoners en masse, choking the leader, sending personnel to intimidate and beat others, and cutting off communication from organizers.

The National Problem Outside Alabama

This protest may have failed, but the message was clear, and beyond the borders of Alabama. An activist ends the film with a plea for change: “The things that are occurring in this state are taking place in every state and in your name.”

Starting with the reported abuses at New York’s a prison facility, to the state of California's deployment of 1,100 incarcerated emergency responders to the danger zones of the Los Angeles fires for less than minimum wage, “you see similar things in the majority of states in the union,” noted Jarecki.

“This is not just Alabama,” said the co-director. “There is a new wave of ‘law-and-order’ policy and rhetoric, and a retributive approach to {everything
Mary Pitts
Mary Pitts

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